If you submit your material to a major publisher or record label without them requesting you to do so, you’ll probably receive your material back with a huge stamp on it that says “RETURN UNSOLICITED.” The reasons for these companies not accepting material from unknown outside sources are many. I will discuss three of the main ones here.
If you have decided to take a proactive approach and make your own CD or demo, you will definitely want to read this. Making a demonstration recording or a full-blown master recording will involve a number of important issues. After all, this recording can make or break your career, so you shouldn't take it lightly. Also, making good-sounding recordings isn't as easy as it looks, much less as easy as it sounds.
“Good quality demo” can have multiple meanings. Some people refer this way to high quality sound, exceptional engineering and perfect mix. Others mean a unique song that has a high potential of becoming a hit. Considering that most musicians record a demo with a purpose of getting a record deal, we must understand what record companies think of this matter.